A ghost story for Halloween... ‘If there is an afterlife,’ I remember my mother saying one day, ‘then how come people always look so sad when they die?’ Back then, I wasn’t in a position to answer. To be honest, I didn’t want to know. I was already regretting raising the issue with her at… Continue reading A little place just outside Diss
I was having had a spot of bother with a rich man’s wife. She was older than me but I didn’t care. I just wanted her, like some strange and terrible drug.
It was the usual story. She’d married young, enticed by the charm of a mature and successful man, and the stability that comes of secure investments. The age gap had not seemed so much when she was twenty and he was fit and fifty.
There were at least five ways home from The Saracen’s Head, and Stan couldn’t think of any of them. He adjusted to the sharp shock of the winter darkness instead, lit a fag, and smoked it savagely as if it had in some way done him greatly wrong. Behind himself, the lights of the pub shut off one by one. Loneliness bit down. Stan Metcalf stoically lit another off the butt of the first. It was late, he was in trouble. Ruby would be waiting.
Being between editorial jobs and an operation, I’ve been cleaning out my study this week, a task that was long overdue. Amongst the glory holes and dusty-musties, I found a hard copy of the following, which I wrote for Gracie while we were courting, years before we married, before Lily, who didn’t make it, and Vincent, who’s five in July. Anyway, I am not, by nature a poet – as I’m sure you can tell – but this caught me funny, because it was and remains just so us: Lux and Ivy, Lily and Herman, off in a little world of our own, a cornucopia of love and horror. So this one’s for Gracie – I hope you don’t mind. I’m so glad I found you. I thank the old gods every day. Happy Birthday, babe, I love you…
ohn Lennon famously said of the early-50s that ‘Before Elvis there was nothing,’ but before Elvis there were EC comics. In the history of horror and censorship, EC comics are a legend: cool, cult objects from the shady, esoteric side of post-war American popular culture, before the King broke through on Milton Berle and Ed Sullivan, like the fetish photographs of Bettie Page, the Ed Gein murders, wild rockabilly, and the Mad Daddy on WHKK.
‘The thing I love about this job,’ said the soldier, ‘is that you never know where you’ll end up next.’
You and me both, I thought, following him along the deserted seafront. One day you’re doing a bit of freelance journalism, the next you’re on some mysterious Pacific island at the invitation of the owners, all expenses very generously paid. Odd really, given that when I was in the Fleet Street mainstream I was one of their most ardent critics. I shielded my eyes and surveyed a promenade of abandoned cars and looted shops. Off the grid corporate retreats can get pretty weird but I hadn’t seen this one coming.