From the Unthank School of Writing blog, Eilidh Horder of Riverstudios talks about the Online Fiction Workshop with Stephen Carver... For anyone considering the Unthank School Online Fiction Workshop, I unreservedly encourage you to do so. I originally signed up for the How to Write a Novel course, as I, well, wanted to learn how to… Continue reading Student Experiences: Priceless Advice
Here's something I wrote for the Unthank School of Writing blog about the range of student writing projects that made up my last online workshop... My latest online workshop cycle finished last month. It’ll start again in September, so for August I’m not teaching. This is a long break for me and already I miss… Continue reading Between Workshops
From the Unthank School of Writing blog, Zoe Bell talks about how our Online Fiction Workshop has helped her grow and shape her novel... Before I attended the Unthank Online Fiction Workshop I thought I could do it on my own: a biology degree and a career at a multinational corporation were adequate preparation for writing historical… Continue reading Student Experiences: Turning an Idea into Reality
In writing a novel, it is not just your protagonist that embarks on a journey but you, walking alongside your fictional companion like a medieval hero and his chronicler. This is a long road so imagine it as you like; perhaps carrying a shield upon your back and a sword in your hand, hiking in the woods with your best friend, or maybe doggedly pushing a shopping cart with your kid through an apocalyptic wasteland armed only with a revolver and two shells.
The was something I did for the Unthank School blog last Christmas that I’d forgotten about until I spotted Ashley’s list while browsing his blog just now. The idea was for Unthank staff to briefly list and discuss five books that we had read in 2015, regardless of publishing date or genre. This was mine…
I think it's time we explored self-publishing on this blog. I've helped enough people through it professionally, and for the first time in my writing life I've eschewed traditional publication to put a book out myself, Shark Alley. This was a project I wanted total control over, from content, structure and visual style all the way down to final word count. I also wanted to release it as a free online serial, which I was never going to get a publisher to sign off on. Also, to be honest, self-publication is presently the most realistic option for most new novelists out there. It was never easy to get traditionally published at the best of times and, believe me, these are the worse. So, if you're going to go DIY, just remember: Do it Big, Do it Right, and Do it with Style..
Last week, I brought another USW ‘How to Write a Novel’ course to an end, after three very pleasant and enjoyable months of writing and sharing. It was more a case of ‘Au Revoir’ than a fond farewell though; as always happens, friendships were forged and now we’re all linked up on Facebook, an informal writer’s group that expands with every course. Some students, meanwhile, are staying with us at the school and moving on to Ashley Stokes’ Online Workshop to develop the manuscripts they’ve been writing on my course. This happen a lot, because once people find their way to us – the friendly alternative to all those institutional and corporate creative writing programmes – they tend to stay. There’s a definite sense of family. And don’t get me wrong, we have all the knowledge and expertise of the professors, in fact some of us are professors, we just prefer to be a bit more practical and down to earth about the whole business of, you know, actually writing, rather than just talking about it.
n a blog for the Unthank School of Writing entitled 'How To Write A Novel and What It Did For Me,' student Jackie Harmon talks about the learning/teaching experience on an online creative writing course designed and taught by yours truly. The last course has just ended and places are still available on the next, which begins in May. You'll find details here. Jackie Harmon, like me, has an academic background, and is currently working on a historical novel set in the late-nineteenth century. From what I've seen so far this is going to be an impressive debut...
It’s one of life’s truisms that reading widely and critically is essential if you're serious about writing. You don’t need a degree in literature to be a critical reader; a lot of it is good, old fashioned common sense, and you’ll have most likely been reading this way naturally for years already, so naturally in fact that you might not be aware that you’re doing it. The next stage, especially if you’re beginning to write your own fiction, is to focus much more consciously on the individual components of narrative structure, and to apply this knowledge to your own writing.
Writing historical fiction offers a unique set of challenges: How far should you let the historical record dictate your own plot? Should you dramatize famous historical figures, or should your central character or characters be fictional? How do you build a lost world in the pages of your book? This is also a task that requires meticulous research, but at the same time you must avoid what Walter Scott described as the ‘dragging in of unnecessary historical details.’ It can also be rather lucrative if you get it right, so if you’re thinking about writing a historical novel, here are a few tips to get you started…