Extract from a contextual review for Wordsworth Editions, originally entitled ‘Based on the Writings of Henry James’: The Turn of the Screw, The Innocents and The Haunting of Bly Manor'. The Turn of the Screw has been adapted many times (it was even turned into an opera by Benjamin Britten in 1954), but it is… Continue reading The Haunting of Bly Manor
My latest for the Wordsworth Blog, on writing tips from M.R. James... ‘There must be something ghostly in the air of Christmas,’ wrote Jerome K. Jerome in the introduction to his darkly comic collection Told After Supper (1891), ‘something about the close, muggy atmosphere that draws up the ghosts, like the dampness of the summer… Continue reading How to Write the Perfect Christmas Ghost Story
A ghost story for Christmas... When I was a kid, I made a list of things that scared me. I was honest, while at the same time restricting myself to the real night terrors, rather than the vaguely unsettling. Like a Desert Island Disks list I got it down to seven: Spiders (foreign and domestic,… Continue reading The Museum of Everything
Despite several theories to the contrary, the priapic spirit that has in the last few years been seen at Stone Henge during the winter solstice is not, in fact, a druid. Accounts of the apparition vary, but common features suggest a tall, emaciated male figure, naked from the waist down and usually described as somewhat… Continue reading Blue Christmas – A Winter Solstice Ghost Story
I do not believe in anything. My dear wife was always more religious than I. That is to say she was more open-minded when it came to matters spiritual and incorporeal, tending towards a polite agnosticism over my own intractable atheism, and general scepticism towards the supernatural beyond the pages of my own fiction.
The current fashion for talking to the dead started about four years ago. While Europe was in revolt and the Chartists were falling apart, across the Atlantic the veil was lifting. It began in a desolate farmhouse in the Hudson Valley, where the Fox Sisters, Kate and Maggie, struck up a dialogue with an entity that had been nightly tormenting the family by banging on walls, doors and windows. They asked the presence questions which it affirmed or denied by rapping, clearly indicating some sort of intelligence. The girls called it ‘Mr. Splitfoot.’ They said it was the ghost of a murdered peddler.
I first cultivated something like a friendship with Billy, the lonely old boy upstairs, because he reminded me of my dad. But the longer I lived in that little ground floor flat the more he reminded me of myself. The low-rise flats were red brick and post-war, and I had grown up in one just like it myself, with the same narrow hallway with bedrooms in an inverted ‘T’ shape at one end and a heavy door topped with a single panel of frosted glass at the other.