This week, horror fans and old goths like me around the world mourn the passing of Tobe Hooper, who died on Saturday at the age of 74, barely a month-and-a-half after we lost George A. Romero. Few directors get to redefine a genre, but Romero and Hooper both achieved this with Night of the Living… Continue reading The Saw Is Family: The Texas Chainsaw Massacre and the Meaning of Murder
I was having had a spot of bother with a rich man’s wife. She was older than me but I didn’t care. I just wanted her, like some strange and terrible drug. It was the usual story. She’d married young, enticed by the charm of a mature and successful man, and the stability that comes of secure investments. The age gap had not seemed so much when she was twenty and he was fit and fifty.
ohn Lennon famously said of the early-50s that ‘Before Elvis there was nothing,’ but before Elvis there were EC comics. In the history of horror and censorship, EC comics are a legend: cool, cult objects from the shady, esoteric side of post-war American popular culture, before the King broke through on Milton Berle and Ed Sullivan, like the fetish photographs of Bettie Page, the Ed Gein murders, wild rockabilly, and the Mad Daddy on WHKK.
‘The thing I love about this job,’ said the soldier, ‘is that you never know where you’ll end up next.’ You and me both, I thought, following him along the deserted seafront. One day you’re doing a bit of freelance journalism, the next you’re on some mysterious Pacific island at the invitation of the owners, all expenses very generously paid. Odd really, given that when I was in the Fleet Street mainstream I was one of their most ardent critics. I shielded my eyes and surveyed a promenade of abandoned cars and looted shops. Off the grid corporate retreats can get pretty weird but I hadn’t seen this one coming.