Doings of Doyle Podcast Interview
Arthur Conan Doyle Society Award
The 2021 Olga Sinclair Prize for Short Fiction
A little place just outside Diss
In Conversation with Audrey Chin
Tom Sawyer and the Literature of Subversion
The Biker Professor – New Blog
Calling all New Year’s Resolution Writers
How to Write the Perfect Christmas Ghost Story
The Author Who Outsold Dickens
Review of The 19th-Century Underworld
All the Chartists in the Land – Part Two
All the Chartists in the Land – Part One
Author delves into the dark past of city’s infamous murderer
The Final Entry in the Journal of the Late Leviticus Lovecraft
A Motivational Writer’s Toolkit
Blue Christmas – A Winter Solstice Ghost Story
The Wife of an Honourable Counsellor
The Strange Fiction of Oliver Onions
Becoming a Writer: The Four Difficulties
Deep in the Woods – A Victorian Ghost Story
Remembering my father on D-Day
I Walked with a Zombie – Or Did I?
Shark Alley: The Memoirs of a Penny-a-Liner
Prologues versus In Medias Res
Ten Tips on Writing Historical Fiction
More Weird Tales from the Vault of Fear
Do Creative Writing Courses Work?
How to Write a Novel: Twelve Essential Components
Dear John – Public Image Ltd, UEA, September 30, 2015
Blot the Skrip Salutes Wes Craven, 1939 – 2015
Uncanny Stories by May Sinclair
Twenty Tips for Becoming your own Editor
Can Creative Writing Be Taught?
Ten New Year’s Writing Resolutions
Do You Need an Editor or a Creative Writing Course?
‘Well, I’ve never heard it called that before’: Good & Bad Sex in Fiction
Ten Creative Writing Tips From Edgar Allan Poe
Stephen Carver 