Last Sunday night found me in Camden Town with Gracie, standing in a cold queue outside The Underworld Club between a guy from Tottenham with Gene Vincent painted on the back of his leather, the oldest punk in the world, and some young bloke who’d just joined an indie band I now can’t remember the… Continue reading Tales from The Boneyard: Our Anniversary, The Teenage Werewolves, and Dr Diablo & The Rodent Show
The Final Entry in the Journal of the Late Leviticus Lovecraft October 31, 18— My reason fails me this night. Already, I have seen the shadows moving in the darkness beyond the glass. And yet, they tell me that I am ill. Ill I am, but I know that I be not mad. 0 curs’d… Continue reading A Short Story for Halloween
This week, horror fans and old goths like me around the world mourn the passing of Tobe Hooper, who died on Saturday at the age of 74, barely a month-and-a-half after we lost George A. Romero. Few directors get to redefine a genre, but Romero and Hooper both achieved this with Night of the Living… Continue reading The Saw Is Family: The Texas Chainsaw Massacre and the Meaning of Murder
I was having had a spot of bother with a rich man’s wife. She was older than me but I didn’t care. I just wanted her, like some strange and terrible drug. It was the usual story. She’d married young, enticed by the charm of a mature and successful man, and the stability that comes of secure investments. The age gap had not seemed so much when she was twenty and he was fit and fifty.
I didn’t really know what I was doing and I never managed to sell it. I blew the dust off the manuscript a few years later when I was supposed to be writing my doctoral thesis, changing the point-of-view character to a mixed-race girl, and keeping the hippy elements of the original but losing the magic realism. I let it slide when my academic career took off, subsequently publishing a couple of reworked scenes as short stories. This is one of them, which was originally published in Birdsuit 11 edited by Christopher Reid and Andrea Holland in 2002, shortly before I moved to Japan. It’s a far cry from the stuff I write now, but I still have a bit of a soft spot for this one…
The was something I did for the Unthank School blog last Christmas that I’d forgotten about until I spotted Ashley’s list while browsing his blog just now. The idea was for Unthank staff to briefly list and discuss five books that we had read in 2015, regardless of publishing date or genre. This was mine…
It was the end of the frustrating fifties. Mary, my mother, heavily pregnant at sixteen, like her mother before her, and just as tragically innocent of the mechanics of her own body, took to the outside toilet suffering from violent stomach cramps. A convulsive eternity later, with a double scream (one of utter terror on Mum’s part and mild surprise on mine), I was born.
ohn Lennon famously said of the early-50s that ‘Before Elvis there was nothing,’ but before Elvis there were EC comics. In the history of horror and censorship, EC comics are a legend: cool, cult objects from the shady, esoteric side of post-war American popular culture, before the King broke through on Milton Berle and Ed Sullivan, like the fetish photographs of Bettie Page, the Ed Gein murders, wild rockabilly, and the Mad Daddy on WHKK.
I first cultivated something like a friendship with Billy, the lonely old boy upstairs, because he reminded me of my dad. But the longer I lived in that little ground floor flat the more he reminded me of myself. The low-rise flats were red brick and post-war, and I had grown up in one just like it myself, with the same narrow hallway with bedrooms in an inverted ‘T’ shape at one end and a heavy door topped with a single panel of frosted glass at the other.