The Final Entry in the Journal of the Late Leviticus Lovecraft October 31, 18— My reason fails me this night. Already, I have seen the shadows moving in the darkness beyond the glass. And yet, they tell me that I am ill. Ill I am, but I know that I be not mad. 0 curs’d… Continue reading A Short Story for Halloween
My latest book, The 19th Century Underworld: Crime, Controversy and Corruption (published by Pen & Sword), goes on sale today. The book is available on Amazon here Or you can buy direct from the publisher Here's a brief extract... The City’s Sacred Victim The Ratcliffe Highway was an ancient road running east out of the City to… Continue reading The 19th Century Underworld
Despite several theories to the contrary, the priapic spirit that has in the last few years been seen at Stone Henge during the winter solstice is not, in fact, a druid. Accounts of the apparition vary, but common features suggest a tall, emaciated male figure, naked from the waist down and usually described as somewhat… Continue reading Blue Christmas – A Winter Solstice Ghost Story
Guest post for Wordsworth Editions... Oliver Onions did not believe in ghosts. Nonetheless, as a prolific author of popular fiction across genres in the first half of the twentieth century, if he is remembered at all these days, it is as a writer of startling and original ghost stories. Historically, these were not easy to… Continue reading The Strange Fiction of Oliver Onions
This is another fragment found amongst the Jack Vincent Papers, the first volume of which I edited and published last year. Like the story of the murderer George Slaughter, this curious little anecdote was not part of the packet containing the second memoir, and I confess that I am not entirely sure where it belongs. I’ve decided to share it here because it confirms my theory that Jack Vincent and the author and traveller George Borrow knew each other, while also providing an interesting portrait of my hometown, Norwich, in the early-1850s…
I do not believe in anything. My dear wife was always more religious than I. That is to say she was more open-minded when it came to matters spiritual and incorporeal, tending towards a polite agnosticism over my own intractable atheism, and general scepticism towards the supernatural beyond the pages of my own fiction.
Nowadays, the image of Guy Fawkes – the man who tried to blow up Parliament on November 5, 1605, assassinating James I so a popular revolt could install a Catholic monarch – has become synonymous with anti-establishment protest. This modern symbolism began in the British comic strip V for Vendetta, a dystopian revenge tragedy with an anarchist heart by Alan Moore and David Lloyd (1982 – 1988) produced during the darkest decade of Thatcherism.
The current fashion for talking to the dead started about four years ago. While Europe was in revolt and the Chartists were falling apart, across the Atlantic the veil was lifting. It began in a desolate farmhouse in the Hudson Valley, where the Fox Sisters, Kate and Maggie, struck up a dialogue with an entity that had been nightly tormenting the family by banging on walls, doors and windows. They asked the presence questions which it affirmed or denied by rapping, clearly indicating some sort of intelligence. The girls called it ‘Mr. Splitfoot.’ They said it was the ghost of a murdered peddler.
There were at least five ways home from The Saracen’s Head, and Stan couldn’t think of any of them. He adjusted to the sharp shock of the winter darkness instead, lit a fag, and smoked it savagely as if it had in some way done him greatly wrong. Behind himself, the lights of the pub shut off one by one. Loneliness bit down. Stan Metcalf stoically lit another off the butt of the first. It was late, he was in trouble. Ruby would be waiting.
CURSING and stumbling, Anne and Bannockburn fled blindly from Blackbeard’s fortress in stolen boots. Every step was a symphony of agony, but despite the ravages of their starved and tortured frames, they ran as if the Great Adversary himself was upon their heels, and, given the Stygian dungeon from which they had lately been liberated, who could say he was not? The local inhabitants of the island, they had learned, believed the dreadful pirate Edward Teach to be a demon, and there was no doubt in Bannockburn’s mind that something alien and terrible now possessed the spirit of the already brutal buccaneer. He gripped the hilt of the sword that he had taken from a poisoned guard, along with his boots, and ran on, following the boy who had aided their escape as he crashed through the leathery jungle foliage that concealed paths which, he claimed, were known only to his family.