THE AUTHOR WHO OUTSOLD DICKENS: The Life and Work of W.H. Ainsworth By Stephen Carver Published by Pen & Sword History, Forthcoming: Winter 2019/20… William Harrison Ainsworth (1805 – 1882) is probably the most successful 19th Century writer that most people haven’t heard of. Journalist, essayist, poet and, most of all, historical novelist, Ainsworth was… Continue reading Forthcoming: The Author Who Outsold Dickens
The Final Entry in the Journal of the Late Leviticus Lovecraft October 31, 18— My reason fails me this night. Already, I have seen the shadows moving in the darkness beyond the glass. And yet, they tell me that I am ill. Ill I am, but I know that I be not mad. 0 curs’d… Continue reading A Short Story for Halloween
Guest post for Wordsworth Editions... Oliver Onions did not believe in ghosts. Nonetheless, as a prolific author of popular fiction across genres in the first half of the twentieth century, if he is remembered at all these days, it is as a writer of startling and original ghost stories. Historically, these were not easy to… Continue reading The Strange Fiction of Oliver Onions
Largely because of a popular fascination with the occult, The Lancashire Witches is the only one of Ainsworth’s novels to have remained consistently in print to this day, often shelved alongside the work of Dennis Wheatley and Montague Summers (both of whom it undoubtedly influenced). The novel is also one of the mainstays of the Pennine tourist industry, and at time of writing, it is still available in many local museums, railway stations and gift shops. As the Dick Turpin narrative of Rookwood seamlessly passed into the national myth, Ainsworth’s romance of Pendle Forest has supplanted the unusually well-documented history of these unfortunate men and women in Lancashire folklore. This ‘classic tale of the supernatural’ (1) although generally overlooked by scholars of the gothic, therefore continues to exist quietly both as a popular cultural curio and, rather more erroneously, in an extra-literary sense as a genuine history.
I didn’t really know what I was doing and I never managed to sell it. I blew the dust off the manuscript a few years later when I was supposed to be writing my doctoral thesis, changing the point-of-view character to a mixed-race girl, and keeping the hippy elements of the original but losing the magic realism. I let it slide when my academic career took off, subsequently publishing a couple of reworked scenes as short stories. This is one of them, which was originally published in Birdsuit 11 edited by Christopher Reid and Andrea Holland in 2002, shortly before I moved to Japan. It’s a far cry from the stuff I write now, but I still have a bit of a soft spot for this one…