From the Unthank School of Writing blog, Eilidh Horder of Riverstudios talks about the Online Fiction Workshop with Stephen Carver... For anyone considering the Unthank School Online Fiction Workshop, I unreservedly encourage you to do so. I originally signed up for the How to Write a Novel course, as I, well, wanted to learn how to… Continue reading Student Experiences: Priceless Advice
Here's something I wrote for the Unthank School of Writing blog about the range of student writing projects that made up my last online workshop... My latest online workshop cycle finished last month. It’ll start again in September, so for August I’m not teaching. This is a long break for me and already I miss… Continue reading Between Workshops
From the Unthank School of Writing blog, Zoe Bell talks about how our Online Fiction Workshop has helped her grow and shape her novel... Before I attended the Unthank Online Fiction Workshop I thought I could do it on my own: a biology degree and a career at a multinational corporation were adequate preparation for writing historical… Continue reading Student Experiences: Turning an Idea into Reality
Many years ago, the wife of an honourable counsellor took great pride in the completion of a lavish family vault in a fashionable cemetery. It was important to enjoy one’s monuments before occupation, and here, she felt, was a burial chamber in which the couple and their descendants could be laid to rest in a… Continue reading The Wife of an Honourable Counsellor
Guest post for Wordsworth Editions... Oliver Onions did not believe in ghosts. Nonetheless, as a prolific author of popular fiction across genres in the first half of the twentieth century, if he is remembered at all these days, it is as a writer of startling and original ghost stories. Historically, these were not easy to… Continue reading The Strange Fiction of Oliver Onions
When I started working on the project that became Shark Alley I still had a fifth-floor office at the University of Fukui, writing at an old metal desk by a huge window, its massive concrete sill cracked by earthquakes, looking out across a vast cityscape towards snow-capped mountains and the Sea of Japan.
On the night of Friday, February 16, 1821, two men faced each other across the field of honour, a wooded knoll beyond the Chalk Farm Tavern near Primrose Hill, to the north of a great chase that had yet to become Regent’s Park. This had been the scene of many duels; there were no neighbouring houses, just open fields hidden from the nearest road by a screen of trees. One of the men had left half a bottle of wine at the inn, telling the landlord he would be back to finish it later.
In writing a novel, it is not just your protagonist that embarks on a journey but you, walking alongside your fictional companion like a medieval hero and his chronicler. This is a long road so imagine it as you like; perhaps carrying a shield upon your back and a sword in your hand, hiking in the woods with your best friend, or maybe doggedly pushing a shopping cart with your kid through an apocalyptic wasteland armed only with a revolver and two shells.
This is another fragment found amongst the Jack Vincent Papers, the first volume of which I edited and published last year. Like the story of the murderer George Slaughter, this curious little anecdote was not part of the packet containing the second memoir, and I confess that I am not entirely sure where it belongs. I’ve decided to share it here because it confirms my theory that Jack Vincent and the author and traveller George Borrow knew each other, while also providing an interesting portrait of my hometown, Norwich, in the early-1850s…